Londres
Young Vic Theatre
Londres - Angleterre
Construction:
Topologie du théâtre
Nombre de salles actives: 3
Salle 1: Main Stage (550) - Actif
Salle 2: The Maria (160) - Actif
Salle 3: The Clare (80) - Actif
Accès
En métro: Waterloo
En bus:
Adresse: 66 The Cut, Waterloo, London SE1 8LZ
Evolution
Bâtiment: Conceived in the 1960s' spirit of iconoclasm and improvisation, it opened in 1970 as a place in which younger directors, designers, actors, writers and technicians could work alongside the world's great theatre artists to present exciting productions at the lowest possible seat prices.
Nom:
Propriétaire(s)
Remarquable
Reuse of 19th-century house and shop as main foyer to theatre / Unconventional use of raw concrete facing blocks to new work / An Inspired low-budget design
Main Stage
550
- Actif
The Maria
160
- Actif
The Clare
80
- Actif
Some 150 yards to the west of the Old Vic is the Young Vic, which was founded by Frank Dunlop under the wing of the National Theatre in 1970. The architectural practice of Howell, Killick, Partridge and Amis - on the face of It an unusual choice, associated as It was with London County Council housing and various Cambridge colleges - was commissioned to design this rather unconventional theatre for young adults; and, mainly from the drawing board of William Gough Howell, there emerged an Inspired low-budget solution.
A bombslte facing Short Street and terraces of red-brick shops and flats of about 1900 was selected as the location, and It was decided to retain one three-storey 19th-century house, with Its bungalow shop, within the site. Thus Wilson Bros, 66 The Cut, became the main entrance foyer to the complex, with its attractive green and white patterned wall tiling. To the right of No. 66 the chamfered auditorium block was added, providing a 24-foot high flexible space for dance or conventional drama, and to the left a studio with café, all contained within a raw concrete-block shell. Access to storage and workshops is from the rear in Cons Street.
Dame Sybil Thorndike opened the theatre on 11 December 1970, with Frank Dunlop directing an adaptation of Mollere’s The Cheats of Scapino. Since that time a wide variety of plays have been successfully performed, including The Taming of the Shrew, Waiting For Godot, Rosencrantz and Guildenstern are Dead and French Without Tears. The theatre Is now Independent, with its own board of management.
Conceived in the 1960s' spirit of iconoclasm and improvisation, it opened in 1970 as a place in which younger directors, designers, actors, writers and technicians could work alongside the world's great theatre artists to present exciting productions at the lowest possible seat prices.
Reuse of 19th-century house and shop as main foyer to theatre / Unconventional use of raw concrete facing blocks to new work / An Inspired low-budget design
Musical
Revival
78) Oklahoma! (Revival)
Joué durant 2 mois
Première preview: 26 April 2022
Première: 26 April 2022
Dernière: 25 June 2022
Salle: Main Stage (550 places)
Compositeur: Richard Rodgers •
Parolier: Oscar Hammerstein II •
Libettiste: Oscar Hammerstein II •
Metteur en scène: Daniel Fish •
Chorégraphe: John Heginbotham •
Avec: Arthur Darvill (Curly McLain), James Davis (Will Parker), Stavros Demetraki (Ali Hakim), Anoushka Lucas (Laurey Williams), Liza Sadovy (Aunt Eller), Patrick Vaill (Jud Fry), Marisha Wallace (Ado Annie), Raphael Bushay (Mike), Greg Hicks (Andrew Carnes), Rebekah Hinds (Gertie Cummings), Ashley Samuels (Cord Elam), Marie Mence (lead dancer)
Commentaire: Il s'agit de la version de Broadway de 2019 qui traverse l'Altlantique et qui s'installe au Young Vic. Vu le succès, le musical est transféré dans le West End en 2023 au Wyndham's Theatre. (plus)
Presse: ★★★★★ Daily Telegraph
★★★★★ Metro
★★★★★ WhatsOnStage
★★★★★ Daily Express
★★★★★ Daily Mirror
★★★★★ Financial Times
‘Punchy, playful & sexy. An absolute knockout!’ Daily Telegraph
‘A stunning reinvention. The best revival yet!’ Evening Standard
‘So revitalised it might’ve been written yesterday’ The Guardian
‘Lives up to the thirsty hype’ Time Out
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier: Oscar Hammerstein II •
Libettiste: Oscar Hammerstein II •
Metteur en scène: Daniel Fish •
Chorégraphe: John Heginbotham •
Avec: Arthur Darvill (Curly McLain), James Davis (Will Parker), Stavros Demetraki (Ali Hakim), Anoushka Lucas (Laurey Williams), Liza Sadovy (Aunt Eller), Patrick Vaill (Jud Fry), Marisha Wallace (Ado Annie), Raphael Bushay (Mike), Greg Hicks (Andrew Carnes), Rebekah Hinds (Gertie Cummings), Ashley Samuels (Cord Elam), Marie Mence (lead dancer)
★★★★★ Metro
★★★★★ WhatsOnStage
★★★★★ Daily Express
★★★★★ Daily Mirror
★★★★★ Financial Times
‘Punchy, playful & sexy. An absolute knockout!’ Daily Telegraph
‘A stunning reinvention. The best revival yet!’ Evening Standard
‘So revitalised it might’ve been written yesterday’ The Guardian
‘Lives up to the thirsty hype’ Time Out
Théâtre
Original
77) Portia Coughlan (Original)
Joué durant 1 mois 2 semaines
Première preview: 16 September 2020
Première: 16 September 2020
Dernière: 31 October 2020
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Caroline Byrne •
Chorégraphe:
Avec:
Commentaire:
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Caroline Byrne •
Chorégraphe:
Avec:
Théâtre
Revival
76) Hamlet (Revival)
Joué durant 1 mois 2 semaines
Première preview: 06 July 2020
Première: 06 July 2020
Dernière: 22 August 2020
Salle: Main Stage (550 places)
Compositeur:
Parolier:
Libettiste: William Shakespeare •
Metteur en scène: Gregory Hersov •
Chorégraphe:
Avec:
Commentaire: Cush Jumbo (The Good Wife, The Good Fight) makes her Young Vic debut as a new kind of Hamlet for this generation.
Following a succession of award-winning productions together, she reunites with her long-time collaborator, director Greg Hersov, to bring us Shakespeare’s great tragedy about power, politics and desire, reimagined for today. (plus)
Presse:
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier:
Libettiste: William Shakespeare •
Metteur en scène: Gregory Hersov •
Chorégraphe:
Avec:
Following a succession of award-winning productions together, she reunites with her long-time collaborator, director Greg Hersov, to bring us Shakespeare’s great tragedy about power, politics and desire, reimagined for today. (plus)
Musical
Original
75) Orfeus: A House Music Opera (Original)
Joué durant 1 mois 2 semaines
Première preview: 14 April 2020
Première: 14 April 2020
Dernière: 30 May 2020
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Charles Randolph-Wright •
Chorégraphe:
Avec:
Commentaire: Blurring the lines of opera, house music and theatre, Nmon Ford’s Orfeus makes its World Premiere at the Young Vic, directed by Charles Randolph-Wright (Motown: The Musical). (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Charles Randolph-Wright •
Chorégraphe:
Avec:
Théâtre
Revival
74) Nora - A Doll's House (Revival)
Joué durant 1 mois 2 semaines
Première preview: 06 February 2020
Première: 06 February 2020
Dernière: 21 March 2020
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Elizabeth Freestone •
Chorégraphe:
Avec: Mark Arends, Natalie Klamar, Luke Norris, Amaka Okafor, Anna Russell-Martin, Zephryn Taitte
Commentaire: Ibsen’s brutal portrayal of womanhood caused outrage when it was first performed in 1879. Originally produced at Citizens Theatre, this bold new production by one of Scotland’s most exciting playwrights reframes the drama in three different time periods. The fight for women’s suffrage, the swinging sixties and modern day intertwine in this urgent, poetic play that asks how far have we really come in the past 100 years? (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Elizabeth Freestone •
Chorégraphe:
Avec: Mark Arends, Natalie Klamar, Luke Norris, Amaka Okafor, Anna Russell-Martin, Zephryn Taitte
Spectacle
73) Fairview ()
Joué durant 1 mois 3 semaines
Première preview: 28 November 2019
Première: 28 November 2019
Dernière: 18 January 2020
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Nadia Latif •
Chorégraphe:
Avec:
Commentaire: Following a ground-breaking, sell-out run in New York, Jackie Sibblies Drury’s Fairview is an interrogation of our subtly destructive preconceptions. This radical examination of power is directed by Young Vic’s Genesis Fellow / Associate Director, Nadia Latif. (plus)
Presse: Unforgettable' —Time Out New York
'Outstanding, frustrating, hilarious' —The New Yorker
'Dazzling and ruthless…a glorious, scary reminder of the unmatched power of live theatre to rattle, roil and shake us wide awake.' —The New York Times (Critic’s Pick)
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Nadia Latif •
Chorégraphe:
Avec:
'Outstanding, frustrating, hilarious' —The New Yorker
'Dazzling and ruthless…a glorious, scary reminder of the unmatched power of live theatre to rattle, roil and shake us wide awake.' —The New York Times (Critic’s Pick)
Spectacle
Revival
72) Blood Wedding (Revival)
Joué durant 1 mois 2 semaines
Première preview: 19 September 2019
Première: 19 September 2019
Dernière: 02 November 2019
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Yael Farber •
Chorégraphe:
Avec:
Commentaire: Multiple award-winning director Yaël Farber (Les Blancs, Mies Julie, The Crucible), brings Federíco Garcia Lorca’s most famous tragedy Blood Wedding to the Young Vic in a new version by Marina Carr. (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Yael Farber •
Chorégraphe:
Avec:
Spectacle
Original
71) Tree (Original)
Joué durant 3 semaines
Première preview: 29 July 2019
Première: 29 July 2019
Dernière: 24 August 2019
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Kwame Kwei-Armah •
Chorégraphe: Gregory Maqoma •
Avec:
Commentaire: Music, dance and film combine with an exciting cast to explore the past, present and future of this country at a crossroads – all through the eyes of one young man on a journey of healing. (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Kwame Kwei-Armah •
Chorégraphe: Gregory Maqoma •
Avec:
Spectacle
70) Ivan and the Dogs ()
Joué durant 1 semaine
Première preview: 10 July 2019
Première: 10 July 2019
Dernière: 20 July 2019
Salle: The Clare (80 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Caitriona Shoobridge •
Chorégraphe:
Avec:
Commentaire:
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Caitriona Shoobridge •
Chorégraphe:
Avec:
Spectacle
Original London
69) Bronx Gothic (Original London)
Joué durant 4 semaines
Première preview: 01 June 2019
Première: 01 June 2019
Dernière: 29 June 2019
Salle: The Maria (160 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Peter Born •
Chorégraphe:
Avec: Okwui Okpokwasili
Commentaire: Created in collaboration with Peter Born, in this UK premiere, Bronx Gothic draws on inspiration from West African griot storytelling and the epistolary style of the Victorian novel to ask what it means to be brown in a world that values whiteness. (plus)
Presse: Okwui Okpokwasili is a 2018 MacArthur ‘Genius Award’ recipient.
'In language that is by turns blunt and poetic, crudely funny and incantatory, Ms. Okpokwasili conjures and probes this adolescent friendship, a jumble of insults, anger and love…A magnetic performer' The New York Times
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Peter Born •
Chorégraphe:
Avec: Okwui Okpokwasili
'In language that is by turns blunt and poetic, crudely funny and incantatory, Ms. Okpokwasili conjures and probes this adolescent friendship, a jumble of insults, anger and love…A magnetic performer' The New York Times
Théâtre
Revival
68) Death of a Salesman (Revival)
Joué durant 1 mois 4 semaines
Première preview: 01 May 2019
Première: 01 May 2019
Dernière: 29 June 2019
Salle: Main Stage (550 places)
Compositeur:
Parolier:
Libettiste: Arthur Miller •
Metteur en scène: Marianne Elliott •
Chorégraphe:
Avec: Sharon D. Clarke, Arinzé Kene, Wendell Pierce
Commentaire:
Presse:
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier:
Libettiste: Arthur Miller •
Metteur en scène: Marianne Elliott •
Chorégraphe:
Avec: Sharon D. Clarke, Arinzé Kene, Wendell Pierce
Théâtre
67) Jumper Factory (The) ()
Joué durant 1 semaine
Première preview: 27 February 2019
Première: 27 February 2019
Dernière: 09 March 2019
Salle: The Maria (160 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Josh Parr •
Chorégraphe:
Avec: Ayomide Adegun, Raphael Akuwudike, Jake Mills, Rushand Chambers, Pierre Moullier, Tej Obano.
Commentaire: Created in collaboration with inmates at HMP Wandsworth and written by Luke Barnes, this intimate and powerful new piece explores the stories of people behind bars and the resilience they need to face a world that moves without them. (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Josh Parr •
Chorégraphe:
Avec: Ayomide Adegun, Raphael Akuwudike, Jake Mills, Rushand Chambers, Pierre Moullier, Tej Obano.
Théâtre
66) Jesus Hopped the 'A' Train ()
Joué durant 1 mois 1 semaine
Première preview: 14 February 2019
Première: 20 February 2019
Dernière: 30 March 2019
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Kate Hewitt •
Chorégraphe:
Avec:
Commentaire: Inside the lockdown wing of Rikers Island prison, a frightened young man accused of murdering a cult leader is confronted with a charismatic born-again serial killer and a sadistic guard. Will one man’s redemption lead to another’s damnation? (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Kate Hewitt •
Chorégraphe:
Avec:
Théâtre
65) Wild East ()
Joué durant 1 semaine
Première preview: 06 February 2019
Première: 06 February 2019
Dernière: 16 February 2019
Salle: The Clare (80 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Lekan Lawal •
Chorégraphe:
Avec:
Commentaire: Outlandish and surreal, April De Angelis’ Wild East artfully turns the most sterile of settings, a corporate job interview, into a sharp comedy about the permeation of human chaos. (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Lekan Lawal •
Chorégraphe:
Avec:
Autre
64) ** Hors DB Evénement ()
Joué durant 1 semaine
Première preview: 21 January 2019
Première: 21 January 2019
Dernière: 02 February 2019
Salle: The Maria (160 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène:
Chorégraphe:
Avec:
Commentaire:
Presse:
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène:
Chorégraphe:
Avec:
Théâtre
63) Convert (The) ()
Joué durant 1 mois
Première preview: 07 December 2018
Première: 14 December 2018
Dernière: 19 January 2018
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ola Ince •
Chorégraphe:
Avec: Jude Akuwudike, Paapa Essiedu, Ivanno Jeremiah, Luyanda Unati Lewis-Nyawo, Rudolphe Mdlongwa, Pamela Nomvete, Letitia Wright
Commentaire:
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ola Ince •
Chorégraphe:
Avec: Jude Akuwudike, Paapa Essiedu, Ivanno Jeremiah, Luyanda Unati Lewis-Nyawo, Rudolphe Mdlongwa, Pamela Nomvete, Letitia Wright
Théâtre
Original
62) Spring Awakening - YV Unpacked (Original)
Joué durant
Première preview: 03 December 2018
Première: 03 December 2018
Dernière: 08 December 2018
Salle: The Clare (80 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Caroline Byrne •
Chorégraphe:
Avec: Olivia Caley, Charles Furness, Archie Rush, Harold Addo, Oliver Cudbill, Ged Simmons, Barbara Marten
Commentaire: Featuring a cast including actor-musicians, Caroline Byrne’s timely adaptation is stripped bare by raw percussive energy composed by Tasha Taylor Johnson and Line Bech’s striking costume designs.
YV Unpacked is a new strand of work that is free and open to everyone, taking the highest quality art to places where theatre doesn’t normally happen. Before arriving at the Young Vic, Spring Awakening will be performed in the community, including at refugee centres, prisons, women’s refuges and homeless shelters. (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Caroline Byrne •
Chorégraphe:
Avec: Olivia Caley, Charles Furness, Archie Rush, Harold Addo, Oliver Cudbill, Ged Simmons, Barbara Marten
YV Unpacked is a new strand of work that is free and open to everyone, taking the highest quality art to places where theatre doesn’t normally happen. Before arriving at the Young Vic, Spring Awakening will be performed in the community, including at refugee centres, prisons, women’s refuges and homeless shelters. (plus)
Musical
Original
61) Twelfth Night - The musical (Original)
Joué durant 1 mois 1 semaine
Première preview: 02 October 2018
Première: 08 October 2018
Dernière: 17 November 2018
Salle: Main Stage (550 places)
Compositeur: Shaina Taub •
Parolier: Shaina Taub •
Libettiste: William Shakespeare •
Metteur en scène: Kwame Kwei-Armah •
Chorégraphe:
Avec: Melissa Allan, Gabrielle Brooks, Gerard Carey, Natalie Dew, Martyn Ellis, Gbemisola Ikumelo, Jyuddah Jaymes, Jonathan Livingstone, Paul Willcocks, Silas Wyatt-Barke and Rupert Young
Commentaire:
Presse: ★★★★ 'Brilliant. Show-stopping musical numbers' The Times
★★★★ 'Executed with flair, intelligence and vitality, this Twelfth Night is a thing of beauty' Financial Times
★★★★ 'A shot to the heart' The Observer
★★★★ 'Irrepressible fun' Evening Standard
★★★★ 'A joyous and dazzlingly colourful musical' Time Out
★★★★ 'A big, bright and lively staging' The Stage
★★★★ 'Marvellous. Fun. An inclusive warmth' WhatsOnStage
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier: Shaina Taub •
Libettiste: William Shakespeare •
Metteur en scène: Kwame Kwei-Armah •
Chorégraphe:
Avec: Melissa Allan, Gabrielle Brooks, Gerard Carey, Natalie Dew, Martyn Ellis, Gbemisola Ikumelo, Jyuddah Jaymes, Jonathan Livingstone, Paul Willcocks, Silas Wyatt-Barke and Rupert Young
★★★★ 'Executed with flair, intelligence and vitality, this Twelfth Night is a thing of beauty' Financial Times
★★★★ 'A shot to the heart' The Observer
★★★★ 'Irrepressible fun' Evening Standard
★★★★ 'A joyous and dazzlingly colourful musical' Time Out
★★★★ 'A big, bright and lively staging' The Stage
★★★★ 'Marvellous. Fun. An inclusive warmth' WhatsOnStage
Théâtre
60) Things of Dry Hours ()
Joué durant 1 semaine
Première preview: 15 August 2018
Première: 15 August 2018
Dernière: 25 August 2018
Salle: The Clare (80 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Debbie Hannan •
Chorégraphe:
Avec: Jude Akuwudike, Michelle Asante and Emun Elliott
Commentaire:
Presse: ★★★★ 'A gorgeously written and philosophically rich celebration of a black Communist agitator in Depression-era South' TIME OUT NEW YORK
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Debbie Hannan •
Chorégraphe:
Avec: Jude Akuwudike, Michelle Asante and Emun Elliott
Musical
Original London
59) Fun home (Original London)
Joué durant 2 mois
Première preview: 18 June 2018
Première: 27 June 2018
Dernière: 01 September 2018
Salle: Main Stage (550 places)
Compositeur: Jeanine Tesori •
Parolier: Lisa Kron •
Libettiste: Lisa Kron •
Metteur en scène: Sam Gold •
Chorégraphe: Danny Mefford •
Avec: Kaisa Hammarlund, Eleanor Kane, Jenna Russell, Ashley Samuels, Cherrelle Skeete, Zubin Varla and Brooke Haynes, Eddie Martin, Charlie McLellan, Ramsay Robertson, Archie Smith, Harriet Turnbull
Commentaire:
Presse: ★★★★★ 'A groundbreaking masterpiece' The Independent
★★★★★ 'Quirky, haunting, heartbreaking' The Telegraph
★★★★★ 'Sam Gold's production is remarkable' The Observer
★★★★★ 'Tremendous. A dazzling musical' FT
★★★★★ 'A jaw-dropping, tear-jerking musical' Time Out
★★★★ 'Beautifully performed - takes musicals in new directions' The Guardian
★★★★ 'A finely woven blend of yearning and euphoric fantasy' Evening Standard
★★★★ 'A milestone in musical theatre' Sunday Express
★★★★★ 'An incredibly radical show - quietly revolutionises the musical form' The Stage
★★★★★ 'It reaches a level of emotional honesty that other musicals just don't begin to touch' What’s On Stage
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier: Lisa Kron •
Libettiste: Lisa Kron •
Metteur en scène: Sam Gold •
Chorégraphe: Danny Mefford •
Avec: Kaisa Hammarlund, Eleanor Kane, Jenna Russell, Ashley Samuels, Cherrelle Skeete, Zubin Varla and Brooke Haynes, Eddie Martin, Charlie McLellan, Ramsay Robertson, Archie Smith, Harriet Turnbull
★★★★★ 'Quirky, haunting, heartbreaking' The Telegraph
★★★★★ 'Sam Gold's production is remarkable' The Observer
★★★★★ 'Tremendous. A dazzling musical' FT
★★★★★ 'A jaw-dropping, tear-jerking musical' Time Out
★★★★ 'Beautifully performed - takes musicals in new directions' The Guardian
★★★★ 'A finely woven blend of yearning and euphoric fantasy' Evening Standard
★★★★ 'A milestone in musical theatre' Sunday Express
★★★★★ 'An incredibly radical show - quietly revolutionises the musical form' The Stage
★★★★★ 'It reaches a level of emotional honesty that other musicals just don't begin to touch' What’s On Stage
Théâtre
Original
58) Inheritance (The) (Original)
Joué durant 2 mois 2 semaines
Première preview: 02 March 2018
Première: 02 March 2018
Dernière: 19 May 2018
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Stephen Daldry •
Chorégraphe:
Avec: Hugo Bolton, Robert Boulter, Andrew Burnap, Hubert Burton, John Benjamin Hickey, Paul Hilton, Samuel H. Levine, Syrus Lowe, Michael Marcus, Vanessa Redgrave, Kyle Soller, Luke Thallon and Michael Walters
Commentaire: Stephen Daldry directs this hilarious and profound heart-breaker - a major world premiere in two parts by New York playwright Matthew Lopez. Running times - Part 1: 3 hours 20 mins (with 2, 10 min intervals). Part 2: 3 hours 35 mins (with 1, 10 min interval and a 5 min 'pause')
West-End transfer au Noel Coward Theatre (plus)
Presse: ★★★★ 'Transcendent' Time Out
★★★★ 'What a class act. Phenomenally good acting.' The Daily Mail
★★★★ 'Terrifically satisfying' WhatsOnStage
★★★★ 'Exquisitely pitched. An incredible feat.' The Stage
★★★★★ 'Vast in its emotional scope. It covers the whole gamut of gay men’s lives' Gay Times
★★★★★ 'Stephen Daldry's masterly production in Bob Crowley's beautiful design is stunningly moving' London Theatre
★★★★★ 'Witty, outrageous and deeply moving' The Evening Standard
★★★★★ 'Perhaps the most important American play of the century so far' The Telegraph
★★★★ 'Stephen Daldry’s crystalline production, pierces your emotional defences' The Guardian
★★★★ 'Extraordinarily accomplished acting' The Independent
★★★★ 'An epic work. Stephen Daldry directs superbly. I fell for it.' The Times
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Stephen Daldry •
Chorégraphe:
Avec: Hugo Bolton, Robert Boulter, Andrew Burnap, Hubert Burton, John Benjamin Hickey, Paul Hilton, Samuel H. Levine, Syrus Lowe, Michael Marcus, Vanessa Redgrave, Kyle Soller, Luke Thallon and Michael Walters
West-End transfer au Noel Coward Theatre (plus)
★★★★ 'What a class act. Phenomenally good acting.' The Daily Mail
★★★★ 'Terrifically satisfying' WhatsOnStage
★★★★ 'Exquisitely pitched. An incredible feat.' The Stage
★★★★★ 'Vast in its emotional scope. It covers the whole gamut of gay men’s lives' Gay Times
★★★★★ 'Stephen Daldry's masterly production in Bob Crowley's beautiful design is stunningly moving' London Theatre
★★★★★ 'Witty, outrageous and deeply moving' The Evening Standard
★★★★★ 'Perhaps the most important American play of the century so far' The Telegraph
★★★★ 'Stephen Daldry’s crystalline production, pierces your emotional defences' The Guardian
★★★★ 'Extraordinarily accomplished acting' The Independent
★★★★ 'An epic work. Stephen Daldry directs superbly. I fell for it.' The Times
Théâtre
Revival
57) Winter (Revival)
Joué durant 1 semaine
Première preview: 14 February 2018
Première: 14 February 2018
Dernière: 24 February 2018
Salle: The Clare (80 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: John R. Wilkinson •
Chorégraphe:
Avec: Jonathan Cullen, Maisie Greenwood
Commentaire: Genesis Award winner John R. Wilkinson directs this riveting and hypnotic play.
When performed at the Young Vic in 2011, Jon Fosse's I am the Wind was described in the Independent as “Some of the greatest theatre I have ever witnessed”. (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: John R. Wilkinson •
Chorégraphe:
Avec: Jonathan Cullen, Maisie Greenwood
When performed at the Young Vic in 2011, Jon Fosse's I am the Wind was described in the Independent as “Some of the greatest theatre I have ever witnessed”. (plus)
Théâtre
56) Brothers Size (The) ()
Joué durant 2 semaines
Première preview: 19 January 2018
Première: 26 January 2018
Dernière: 14 February 2018
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Bijan Sheibani •
Chorégraphe:
Avec: Jonathan Ajayi, Sope Dirisu, Manuel Pinheiro & Anthony Welsh
Commentaire: From the writer of Moonlight, the 2017 Academy Award winner for Best Picture, ritual and reality intertwine in this darkly sparkling, brilliant play.
Bijan Sheibani directs this long-awaited revival of a deeply moving fable about the bonds between men. (plus)
Presse: ★★★★★ "A magical portrait of southern masculinity" The Guardian
★★★★★ “Bijan Sheibani’s electric, superbly acted revival is magical” The Financial Times
★★★★ "Tremendous acting... this is pure theatre" The Times
★★★★ "Urgently rhythmic with vivid physicality" The Evening Standard
★★★★ "Immaculate, operatic and primal" Time Out
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Bijan Sheibani •
Chorégraphe:
Avec: Jonathan Ajayi, Sope Dirisu, Manuel Pinheiro & Anthony Welsh
Bijan Sheibani directs this long-awaited revival of a deeply moving fable about the bonds between men. (plus)
★★★★★ “Bijan Sheibani’s electric, superbly acted revival is magical” The Financial Times
★★★★ "Tremendous acting... this is pure theatre" The Times
★★★★ "Urgently rhythmic with vivid physicality" The Evening Standard
★★★★ "Immaculate, operatic and primal" Time Out
Théâtre
55) Jungle (The) ()
Joué durant 1 mois
Première preview: 07 December 2017
Première: 07 December 2017
Dernière: 06 January 2018
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Stephen Daldry • Justin Martin •
Chorégraphe:
Avec: Raphael Acloque, Ammar Haj Ahmad, Aliya Ali, Mohammad Amiri, Bruk Kumelay, Alyssa Denise D’Souza, Elham Ehsas, Trevor Fox, Moein Ghobsheh, Michael Gould, Ansu Kabia, Alex Lawther, Jo McInnes, John Pfumojena, Rachel Redford, Rachid Sabitri, Mohamed Sarrar, Ben Turner, Nahel Tzegai
Commentaire: West-End Transfer (plus)
Presse: ★★★★★ "Exuberant, full of music and movement. This is a story we need to hear. It feels of national significance." Time Out
★★★★★ "This devastating, uplifting show celebrates the human capacity to build something out of nothing, to work together and try to make a difference." The Guardian
★★★★★ “Brimful of hope, humour and humanity.” Metro
★★★★ "You’re left awed and appalled by the testimonies of the ordeals endured. It’s warts and all – and that’s the beauty of it." The Telegraph
★★★★ "Urgency, vividness and wit. The play’s sense of the knottiness of world politics makes this a remarkable evening." The Times
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Stephen Daldry • Justin Martin •
Chorégraphe:
Avec: Raphael Acloque, Ammar Haj Ahmad, Aliya Ali, Mohammad Amiri, Bruk Kumelay, Alyssa Denise D’Souza, Elham Ehsas, Trevor Fox, Moein Ghobsheh, Michael Gould, Ansu Kabia, Alex Lawther, Jo McInnes, John Pfumojena, Rachel Redford, Rachid Sabitri, Mohamed Sarrar, Ben Turner, Nahel Tzegai
★★★★★ "This devastating, uplifting show celebrates the human capacity to build something out of nothing, to work together and try to make a difference." The Guardian
★★★★★ “Brimful of hope, humour and humanity.” Metro
★★★★ "You’re left awed and appalled by the testimonies of the ordeals endured. It’s warts and all – and that’s the beauty of it." The Telegraph
★★★★ "Urgency, vividness and wit. The play’s sense of the knottiness of world politics makes this a remarkable evening." The Times
Musical
Original London
54) How to Win Against History (Original London)
Joué durant 3 semaines
Première preview: 30 November 2017
Première: 30 November 2017
Dernière: 23 December 2017
Salle: The Maria (160 places)
Compositeur: Seiriol Davies •
Parolier: Seiriol Davies •
Libettiste: Seiriol Davies •
Metteur en scène: Alex Swift •
Chorégraphe:
Avec: Matthew Blake, Seiriol Davies, Dylan Townley
Commentaire:
Presse: ★★★★ “Seiriol Davies’s sparkling piece of musical theatre...snappily directed by Alex Swift” The Times
★★★★ “Clever chamber opera of crackpot fabulousness, high camp and unexpected poignancy” The Guardian
★★★★★ "This musical about a cross-dressing Marquess is a work of genius" The Daily Telegraph
★★★★ “Gleeful, ludicrous - a larky collision of Gilbert & Sullivan and Monty Python” Time Out
★★★★ “Hilarious. Seiriol Davies is a joy” The Upcoming
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier: Seiriol Davies •
Libettiste: Seiriol Davies •
Metteur en scène: Alex Swift •
Chorégraphe:
Avec: Matthew Blake, Seiriol Davies, Dylan Townley
★★★★ “Clever chamber opera of crackpot fabulousness, high camp and unexpected poignancy” The Guardian
★★★★★ "This musical about a cross-dressing Marquess is a work of genius" The Daily Telegraph
★★★★ “Gleeful, ludicrous - a larky collision of Gilbert & Sullivan and Monty Python” Time Out
★★★★ “Hilarious. Seiriol Davies is a joy” The Upcoming
Théâtre
53) Yellowman ()
Joué durant 1 semaine
Première preview: 22 January 2017
Première: 22 November 2017
Dernière: 02 December 2017
Salle: The Clare (80 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Nancy Medina •
Chorégraphe:
Avec: Christopher Colquhoun, Nicola Hughes
Commentaire: Genesis Award winner Nancy Medina directs a Pulitzer Prize finalist described by Variety as “a celebration of young love and a harrowing study of smouldering domestic violence”. (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Nancy Medina •
Chorégraphe:
Avec: Christopher Colquhoun, Nicola Hughes
Théâtre
Revival
52) Suppliant Women (The) (Revival)
Joué durant 1 semaine
Première preview: 13 November 2017
Première: 16 November 2017
Dernière: 25 November 2017
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ramin Gray •
Chorégraphe:
Avec: Callum Armstrong, Oscar Batterham, Ben Burton, Omar Ebrahim, Gemma May Rees
Commentaire: Written 2,500 years ago, one of the world’s oldest plays speaks to us through the ages with startling resonance for our troubled times.
Featuring a chorus of local women from London, this is part play, part ritual. Director Ramin Gray unearths an electric connection to the deepest and most mysterious ideas of humanity: who are we, where do we belong - and if all goes wrong - who will take us in? (plus)
Presse: ★★★★★ “A timeless, fantastical production of colour, song, and movement” The Independent
★★★★★ “Outstanding…pungent modern resonances” The Telegraph
★★★★★ “Remarkable…choral power unleashed” Whatsonstage
★★★★ “An experience of overwhelming potency…awakens a renewed faith in the future” The Times
★★★★ “Pulsating urgency…rousingly topical” The Evening Standard
★★★★ “A fierce, beautiful staging of Aeschylus’s drama” Financial Times
★★★★ “A community chorus gives tremendous power to this witty adaptation of Aeschylus’s ancient play” Time Out
★★★★★ “An epic, feminist protest song” The Guardian
★★★★ "This stunning poetic tidal wave is tailor-made for a 21st century audience” The Irish Times
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ramin Gray •
Chorégraphe:
Avec: Callum Armstrong, Oscar Batterham, Ben Burton, Omar Ebrahim, Gemma May Rees
Featuring a chorus of local women from London, this is part play, part ritual. Director Ramin Gray unearths an electric connection to the deepest and most mysterious ideas of humanity: who are we, where do we belong - and if all goes wrong - who will take us in? (plus)
★★★★★ “Outstanding…pungent modern resonances” The Telegraph
★★★★★ “Remarkable…choral power unleashed” Whatsonstage
★★★★ “An experience of overwhelming potency…awakens a renewed faith in the future” The Times
★★★★ “Pulsating urgency…rousingly topical” The Evening Standard
★★★★ “A fierce, beautiful staging of Aeschylus’s drama” Financial Times
★★★★ “A community chorus gives tremendous power to this witty adaptation of Aeschylus’s ancient play” Time Out
★★★★★ “An epic, feminist protest song” The Guardian
★★★★ "This stunning poetic tidal wave is tailor-made for a 21st century audience” The Irish Times
Théâtre
Original
51) My Name is Rachel Corrie (Original)
Joué durant 3 semaines
Première preview: 29 September 2017
Première: 29 September 2017
Dernière: 21 October 2017
Salle: The Clare (80 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Bob Roche •
Chorégraphe:
Avec: Erin Doherty
Commentaire:
Presse: "Powerful, thought-provoking, deeply moving" The Daily Telegraph
★★★★ "Erin Doherty emerges as one of the year's great discoveries with a stunning performance" The Guardian
★★★★ "Erin Doherty is riveting as Corrie...humorous and humanising" The Stage
★★★★ "Josh Roche's brilliant staging" Whatsonstage
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Bob Roche •
Chorégraphe:
Avec: Erin Doherty
★★★★ "Erin Doherty emerges as one of the year's great discoveries with a stunning performance" The Guardian
★★★★ "Erin Doherty is riveting as Corrie...humorous and humanising" The Stage
★★★★ "Josh Roche's brilliant staging" Whatsonstage
Théâtre
Revival
50) Wings (Revival)
Joué durant 1 mois 1 semaine
Première preview: 14 September 2017
Première: 20 September 2017
Dernière: 28 October 2017
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Natalie Abrahami •
Chorégraphe:
Avec: Lorna Brown, Kelle Bryan, David Emmings, Nicholas Gasson, Richard James-Neale, Emily Mytton, Mary Sheen, Juliet Stevenson, Emily Wachter
Commentaire: Arthur Kopit’s tremendously powerful Broadway hit hasn't been seen in London for 30 years. Juliet Stevenson takes on another extraordinary role, reunited with Natalie Abrahami following their hugely successful collaboration on Happy Days. (plus)
Presse: ★★★★ “A remarkable performance from Stevenson in Abrahami's sensitive and daring production” The Independent
★★★★ “Juliet Stevenson is floating, spinning, soaring and plunging ... in Abrahami’s spectacular staging” Mail on Sunday
★★★★ “The unflinching authenticity that makes Wings fly” City AM
★★★★ “Mesmerising - Juliet Stevenson takes us to another plane” The Evening Standard
★★★★ “A thrilling dramatic realisation - gloriously liberated” The Financial Times
★★★★ “Thrilling theatrical magic” WhatsOnStage
“Juliet Stevenson is a transcendent force” The Telegraph
“Stevenson deserves nothing but praise for her performance” The Guardian
“Juliet Stevenson gives an extraordinary performance” The Observer
“Dazzling - a fascinatingly different play” Time Out
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Natalie Abrahami •
Chorégraphe:
Avec: Lorna Brown, Kelle Bryan, David Emmings, Nicholas Gasson, Richard James-Neale, Emily Mytton, Mary Sheen, Juliet Stevenson, Emily Wachter
★★★★ “Juliet Stevenson is floating, spinning, soaring and plunging ... in Abrahami’s spectacular staging” Mail on Sunday
★★★★ “The unflinching authenticity that makes Wings fly” City AM
★★★★ “Mesmerising - Juliet Stevenson takes us to another plane” The Evening Standard
★★★★ “A thrilling dramatic realisation - gloriously liberated” The Financial Times
★★★★ “Thrilling theatrical magic” WhatsOnStage
“Juliet Stevenson is a transcendent force” The Telegraph
“Stevenson deserves nothing but praise for her performance” The Guardian
“Juliet Stevenson gives an extraordinary performance” The Observer
“Dazzling - a fascinatingly different play” Time Out
Théâtre
Original
49) Yerma (Original)
Joué durant 1 mois
Première preview: 28 July 2017
Première: 28 July 2017
Dernière: 31 August 2017
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Simon Stone •
Chorégraphe:
Avec: Maureen Beattie, Brendan Cowell, John MacMillan, Billie Piper, Charlotte Randle
Commentaire: Reprise de 2016 (plus)
Presse: ★★★★★ "An extraordinary theatrical triumph" The Times
★★★★★ "Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca" The Observer
★★★★★ “Stunning, searing, unmissable” Mail on Sunday
★★★★★ "A shatteringly powerful reinvention of a familiar classic" The Independent
★★★★★ "Harrowing and astonishingly funny - 100 electrifying minutes" The Sun
★★★★★ "Billie Piper is on raw, ferocious, spellbinding form" The Evening Standard
★★★★★ "Brutal yet ferociously funny" Metro
★★★★★ "Billie Piper is astonishing - everything about this production is on-point" iNews
★★★★ "Piper gives a devastatingly powerful performance" The Daily Telegraph
★★★★ "Wonderfully bold and sensitive writing and direction from Simon Stone” The Sunday Times
★★★★ “Piper gives a devastating portrayal of all-consuming female despair” Financial Times
★★★★ "Simon Stone's radical update of Lorca is astonishingly powerful" Time Out
★★★★ "A sharply witty, slangily modern updating – you can’t take your eyes off Billie Piper" The Daily Mail
★★★★ “Splendidly acted on Lizzie Clachan’s elegant minimalist set” Sunday Express Find out what audiences are saying about the show.
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Simon Stone •
Chorégraphe:
Avec: Maureen Beattie, Brendan Cowell, John MacMillan, Billie Piper, Charlotte Randle
★★★★★ "Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca" The Observer
★★★★★ “Stunning, searing, unmissable” Mail on Sunday
★★★★★ "A shatteringly powerful reinvention of a familiar classic" The Independent
★★★★★ "Harrowing and astonishingly funny - 100 electrifying minutes" The Sun
★★★★★ "Billie Piper is on raw, ferocious, spellbinding form" The Evening Standard
★★★★★ "Brutal yet ferociously funny" Metro
★★★★★ "Billie Piper is astonishing - everything about this production is on-point" iNews
★★★★ "Piper gives a devastatingly powerful performance" The Daily Telegraph
★★★★ "Wonderfully bold and sensitive writing and direction from Simon Stone” The Sunday Times
★★★★ “Piper gives a devastating portrayal of all-consuming female despair” Financial Times
★★★★ "Simon Stone's radical update of Lorca is astonishingly powerful" Time Out
★★★★ "A sharply witty, slangily modern updating – you can’t take your eyes off Billie Piper" The Daily Mail
★★★★ “Splendidly acted on Lizzie Clachan’s elegant minimalist set” Sunday Express Find out what audiences are saying about the show.
Théâtre
Original
48) Nina (Original)
Joué durant 1 semaine
Première preview: 19 July 2017
Première: 21 July 2017
Dernière: 29 July 2017
Salle: The Maria (160 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Dritëro Kasapi •
Chorégraphe:
Avec: Josette Bushell-Mingo
Commentaire: Backed by a brilliant band, Josette Bushell-Mingo mixes story and song as she draws together tales from the life of Nina Simone, her own extraordinary career and the Black Lives Matter movement. (plus)
Presse: ★★★★ "A searing tribute restarts Simone's revolution" The Guardian
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Dritëro Kasapi •
Chorégraphe:
Avec: Josette Bushell-Mingo
Théâtre
Original London
47) Taha (Original London)
Joué durant 1 semaine
Première preview: 05 July 2017
Première: 07 July 2017
Dernière: 15 July 2017
Salle: The Maria (160 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Amir Nizar Zuabi •
Chorégraphe:
Avec: Amer Hlehel
Commentaire: Taha is part of the Shubbak Festival 2017. Taha was developed, in part, at the 2015 Sundance Institute Theatre Lab at the Sundance Resort. (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Amir Nizar Zuabi •
Chorégraphe:
Avec: Amer Hlehel
Théâtre
Revival
46) Life of Galileo (Revival)
Joué durant 1 mois 2 semaines
Première preview: 06 May 2017
Première: 16 May 2017
Dernière: 01 July 2017
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Joe Wright •
Chorégraphe:
Avec: Ayesha Antoine, Jason Barnett, Brendan Cowell, Billy Howle, Paul Hunter, Joshua James, Bettrys Jones, Alex Murdoch, Brian Pettifer, Anjana Vasan, Sarah Wright
Commentaire: BAFTA Award-winning film director Joe Wright (Atonement, Pride and Prejudice) returns to the Young Vic after his celebrated production of A Season in the Congo.
Brendan Cowell plays Galileo following his acclaimed performance in Yerma. Galileo makes an explosive discovery about the universe with his new invention – the telescope.
Performed in-the-round on a stunning set designed by Lizzie Clachan (Yerma, A Season in the Congo), the show features original music by The Chemical Brothers’ Tom Rowlands and projections by 59 Productions (Feast, War Horse). (plus)
Presse: ★★★★ "Cowell conveys the excitement of science with the thrashy zeal of a rock god" The Evening Standard
★★★★ "A highly compelling revival" The Independent
★★★★ "An indecently banging score from one of the Chemical Brothers. This is a trip, and a good one at that" Time Out
★★★★ “Brendan Cowell showed me Brecht really can make the earth move” The Observer
★★★★ “Driven by a throbbing soundtrack from Tom Rowlands of The Chemical Brothers” The Financial Times
★★★★ “Joe Wright tackles the big themes with a larky, irreverent tone” The Mail on Sunday
★★★★ “There is genuine comedy in Joe Wright’s production which is graced by splendid performances: Brendan Cowell, impassioned. Billy Howle, deeply affecting.” Sunday Express
★★★★ "Joe Wright's visually stunning production" What's On Stage
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Joe Wright •
Chorégraphe:
Avec: Ayesha Antoine, Jason Barnett, Brendan Cowell, Billy Howle, Paul Hunter, Joshua James, Bettrys Jones, Alex Murdoch, Brian Pettifer, Anjana Vasan, Sarah Wright
Brendan Cowell plays Galileo following his acclaimed performance in Yerma. Galileo makes an explosive discovery about the universe with his new invention – the telescope.
Performed in-the-round on a stunning set designed by Lizzie Clachan (Yerma, A Season in the Congo), the show features original music by The Chemical Brothers’ Tom Rowlands and projections by 59 Productions (Feast, War Horse). (plus)
★★★★ "A highly compelling revival" The Independent
★★★★ "An indecently banging score from one of the Chemical Brothers. This is a trip, and a good one at that" Time Out
★★★★ “Brendan Cowell showed me Brecht really can make the earth move” The Observer
★★★★ “Driven by a throbbing soundtrack from Tom Rowlands of The Chemical Brothers” The Financial Times
★★★★ “Joe Wright tackles the big themes with a larky, irreverent tone” The Mail on Sunday
★★★★ “There is genuine comedy in Joe Wright’s production which is graced by splendid performances: Brendan Cowell, impassioned. Billy Howle, deeply affecting.” Sunday Express
★★★★ "Joe Wright's visually stunning production" What's On Stage
Théâtre
Original
45) Why It's Kicking Off Everywhere (Original)
Joué durant
Première preview: 28 March 2017
Première: 28 March 2017
Dernière: 30 March 2017
Salle: The Maria (160 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: David Lan •
Chorégraphe:
Avec: Paul Mason, Khalid Abdalla, Lara Sawalha and Sirine Saba in promenade with stunning video designs, the audience will interact with the company throughout the show.
Commentaire: The show will be filmed and broadcast at a later date by BBC Television as part of Performance Live. (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: David Lan •
Chorégraphe:
Avec: Paul Mason, Khalid Abdalla, Lara Sawalha and Sirine Saba in promenade with stunning video designs, the audience will interact with the company throughout the show.
Théâtre
Revival
44) The Bear/The Proposal (Revival)
Joué durant 1 semaine
Première preview: 15 March 2017
Première: 15 March 2017
Dernière: 25 March 2017
Salle: The Clare (80 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Lucy J Skilbeck •
Chorégraphe:
Avec: George Ikediashi, Kamari Romeo, Rebecca Root
Commentaire: Performed by a gender-fierce company of queer identifying artists and directed by Genesis Award winner Lucy J Skilbeck.
Established by John Studzinski 15 years ago, the Genesis Foundation works in partnership with the leaders of prestigious UK arts organisations such as the Royal Court, The Sixteen, Welsh National Opera and the Young Vic. Its largest funding commitment is to programmes that support directors, playwrights and musicians in the early stages of their professional lives.
In addition it awards scholarships to exceptional student actors at LAMDA and commissions stimulating new works, from choral compositions to light installations.
In 2015 the Genesis Foundation launched its first partnership outside the UK, funding residencies for playwrights at New York’s Signature Theatre. (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Lucy J Skilbeck •
Chorégraphe:
Avec: George Ikediashi, Kamari Romeo, Rebecca Root
Established by John Studzinski 15 years ago, the Genesis Foundation works in partnership with the leaders of prestigious UK arts organisations such as the Royal Court, The Sixteen, Welsh National Opera and the Young Vic. Its largest funding commitment is to programmes that support directors, playwrights and musicians in the early stages of their professional lives.
In addition it awards scholarships to exceptional student actors at LAMDA and commissions stimulating new works, from choral compositions to light installations.
In 2015 the Genesis Foundation launched its first partnership outside the UK, funding residencies for playwrights at New York’s Signature Theatre. (plus)
Théâtre
Revival
43) A Midsummer Night's Dream (Revival)
Joué durant 1 mois
Première preview: 16 February 2017
Première: 23 February 2017
Dernière: 01 April 2017
Salle: Main Stage (550 places)
Compositeur:
Parolier:
Libettiste: William Shakespeare •
Metteur en scène: Joe Hill-Gibbins •
Chorégraphe:
Avec: liver Alvin-Wilson, Geoff Aymer, Leo Bill, Sam Cox, John Dagleish, Michael Gould, Aaron Heffernan, Anastasia Hille, Lloyd Hutchinson, Anna Madeley, Douggie McMeekin, Melanie Pappenheim, Jemima Rooper, Matthew Steer
Commentaire: Dark fantasies and nightmarish visions unfold in this bold take on Shakespeare's unparalleled tale of love, betrayal and desire.
Director Joe Hill-Gibbins teams up with designer Johannes Schütz (Three Sisters) to dive into the subconscious of Shakespeare's masterpiece. (plus)
Presse: ★★★★ "Joe Hill-Gibbins is a madcap arch provocateur"
Sunday Times
★★★★ “A bold, wildly unorthodox staging with an audacious aesthetic”
Financial Times on Measure for Measure
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier:
Libettiste: William Shakespeare •
Metteur en scène: Joe Hill-Gibbins •
Chorégraphe:
Avec: liver Alvin-Wilson, Geoff Aymer, Leo Bill, Sam Cox, John Dagleish, Michael Gould, Aaron Heffernan, Anastasia Hille, Lloyd Hutchinson, Anna Madeley, Douggie McMeekin, Melanie Pappenheim, Jemima Rooper, Matthew Steer
Director Joe Hill-Gibbins teams up with designer Johannes Schütz (Three Sisters) to dive into the subconscious of Shakespeare's masterpiece. (plus)
Sunday Times
★★★★ “A bold, wildly unorthodox staging with an audacious aesthetic”
Financial Times on Measure for Measure
Théâtre
Original
42) See Me Now (Original)
Joué durant 2 semaines
Première preview: 11 February 2017
Première: 17 February 2017
Dernière: 04 March 2017
Salle: The Maria (160 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Mimi Poskitt •
Chorégraphe:
Avec: Adorable, B, Beth, Dee, Flynt, Governess Elizabeth, Jane, Pan, Peter, Ric London, Zariya
Commentaire:
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Mimi Poskitt •
Chorégraphe:
Avec: Adorable, B, Beth, Dee, Flynt, Governess Elizabeth, Jane, Pan, Peter, Ric London, Zariya
Théâtre
Original
41) Living with the Lights On (Original)
Joué durant 2 semaines
Première preview: 25 November 2016
Première: 06 December 2016
Dernière: 23 December 2016
Salle: The Maria (160 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ramin Gray •
Chorégraphe:
Avec: Mark Lockyer
Commentaire: Actors Touring Company returns to Young Vic following their acclaimed production of The Events by David Greig. (plus)
Presse: "Mark Lockyer is a tour de force" The Daily Telegraph
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ramin Gray •
Chorégraphe:
Avec: Mark Lockyer
Théâtre
Revival
40) Once in a Lifetime (Revival)
Joué durant 1 mois 2 semaines
Première preview: 25 November 2016
Première: 25 November 2016
Dernière: 14 January 2017
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Richard Jones •
Chorégraphe:
Avec: Daniel Abelson, Kevin Bishop, Claudie Blakley, Okorie Chukwu, Lucy Cohu, Lizzy Connolly, Buffy Davis, Adrian Der Gregorian, Harry Enfield, Otto Farrant, Amy Griffiths, Amanda Lawrence, John Marquez
Commentaire:
Presse: ★★★★ "Hilarious - a stunningly stylish production" Metro "Lots of laughs – Claudie Blakley is superb." Time Out
"Richard Jones’s production is full of visual flair and John Marquez’s George is delightfully daft" Evening Standard “A jolly surprise - Amanda Lawrence plays a stormer as a crazy receptionist. Great stuff” The Daily Mail
"Captures the vanity and futility of the Hollywood machine" Daily Telegraph
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Richard Jones •
Chorégraphe:
Avec: Daniel Abelson, Kevin Bishop, Claudie Blakley, Okorie Chukwu, Lucy Cohu, Lizzy Connolly, Buffy Davis, Adrian Der Gregorian, Harry Enfield, Otto Farrant, Amy Griffiths, Amanda Lawrence, John Marquez
"Richard Jones’s production is full of visual flair and John Marquez’s George is delightfully daft" Evening Standard “A jolly surprise - Amanda Lawrence plays a stormer as a crazy receptionist. Great stuff” The Daily Mail
"Captures the vanity and futility of the Hollywood machine" Daily Telegraph
Théâtre
Original
39) Trade (Original)
Joué durant 1 semaine
Première preview: 16 November 2016
Première: 16 November 2016
Dernière: 26 November 2016
Salle: The Clare (80 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Bryony Shanahan •
Chorégraphe:
Avec: Ayesha Antoine, Sharon Duncan-Brewster, Jo Martin
Commentaire: Debbie Tucker Green’s darkly humorous play about the costs of sex is directed by Bryony Shanahan, winner of a 2016 Genesis Future Directors Award. (plus)
Presse: “Short, sharp and pungent theatre…she makes you hang on every word” - The Guardian on debbie tucker green
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Bryony Shanahan •
Chorégraphe:
Avec: Ayesha Antoine, Sharon Duncan-Brewster, Jo Martin
Théâtre
Revival
38) Nest (The) (Revival)
Joué durant 4 semaines
Première preview: 28 October 2016
Première: 28 October 2016
Dernière: 26 November 2016
Salle: The Maria (160 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ian Rickson •
Chorégraphe:
Avec: Caoilfhionn Dunne, Laurence Kinlan
Commentaire: Conor McPherson has written a powerful new version of the German classic.
A fable about the moral and environmental cost of our materialistic nesting instincts, directed by Ian Rickson. (plus)
Presse: ★★★★ “Stealthy, absorbing - Ian Rickson’s production throbs with tension and fear” The Times
★★★★ “A quiet and immensely touching production - Kinlan is tremendous” Financial Times
★★★★ “Tender, ominous and powerfully watchable” The Sunday Times
"A potent production with a brooding original score by PJ Harvey" Evening Standard
"Nuanced performances from Caoilfhionn Dunne and Laurence Kinlan" The Telegraph
"The Nest’s environmental message couldn't be more topical" The Guardian
"Immaculately directed by Rickson” Time Out
“Kroetz is an exceptional dramatist” The Guardian
“Conor McPherson is the finest playwright of his generation" New York Times
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ian Rickson •
Chorégraphe:
Avec: Caoilfhionn Dunne, Laurence Kinlan
A fable about the moral and environmental cost of our materialistic nesting instincts, directed by Ian Rickson. (plus)
★★★★ “A quiet and immensely touching production - Kinlan is tremendous” Financial Times
★★★★ “Tender, ominous and powerfully watchable” The Sunday Times
"A potent production with a brooding original score by PJ Harvey" Evening Standard
"Nuanced performances from Caoilfhionn Dunne and Laurence Kinlan" The Telegraph
"The Nest’s environmental message couldn't be more topical" The Guardian
"Immaculately directed by Rickson” Time Out
“Kroetz is an exceptional dramatist” The Guardian
“Conor McPherson is the finest playwright of his generation" New York Times
Théâtre
37) Mountaintop (The) ()
Joué durant 3 semaines
Première preview: 07 October 2016
Première: 07 October 2016
Dernière: 29 October 2016
Salle: The Clare (80 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Roy Alexander Weise •
Chorégraphe:
Avec: Gbolahan Obisesan, Ronke Adékoluejo
Commentaire: Roy Alexander Weise, winner of the JMK Award 2016, directs this revival of the Olivier Award-winner about King’s last night on earth. (plus)
Presse: ★★★★ "Weise directs with bounce and brio" Evening Standard
★★★★ "Riveting performances from Gbolohan Obisesan and Ronke Adékoluejo" The Times
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Roy Alexander Weise •
Chorégraphe:
Avec: Gbolahan Obisesan, Ronke Adékoluejo
★★★★ "Riveting performances from Gbolohan Obisesan and Ronke Adékoluejo" The Times
Musical
Original
36) A Man of Good Hope (Original)
Joué durant 1 mois 1 semaine
Première preview: 06 October 2016
Première: 06 October 2016
Dernière: 12 November 2016
Salle: Main Stage (550 places)
Compositeur:
Parolier:
Libettiste: Jonny Steinberg •
Metteur en scène: Mark Dornford-May •
Chorégraphe:
Avec: Noluthando Boqwana, Thobile Dyasi, Ayanda Eleki, Thandokazi Fumba, Zamile Gantana, Siphosethu Juta, Nontsusa Louw, Sifiso Lupuzi, Pauline Malefane, Phielo Makitle, Zanele Mbatha, Katlego Mmusi, Zoleka Mpotsha, Siyanda Ncobo, Cikizwa Ndamase, Busisiwe Ngejane, Sonwabo Ntshata, Luvo Rasemeni, Khanya Sakube, Sindiswa Sityata, Tshepo Skosana, Masakane Sotayisi, Luvo Tamba, Ayanda Tikolo
Commentaire: The critically-acclaimed South African Isango Ensemble return to the Young Vic after the Olivier Award-winning The Magic Flute. This adaptation of Jonny Steinberg’s riveting book is told through roof-lifting songs and dance accompanied on the marimba.
A collaboration with the Royal Opera House. (plus)
Presse: ★★★★★ “Bursting with life, this is a full-blooded hymn to hope” Daily Mail
★★★★ “Isango Ensemble’s musical has marvellous songs and breathtaking acting” The Observer
★★★★ “A terrific slice of musical theatre - this fiercely topical show is a real treat” Mail on Sunday
★★★★ "Glorious, vibrant musical theatre that speaks to the biggest concern of our age" Financial Times
★★★★ “An extraordinary, magical piece of theatre – all politicians should go” The Times
★★★★ "Exhilarating and inspired - I urge everyone to see this show" The Guardian
★★★★ "Heartbreaking, with dynamic choreography and beautiful music" Time Out
★★★★ "A gorgeous score that bubbles with life - profoundly stirring" The Independent
★★★★ "Powerful and vivid, Asad's story unfolds in joyous ensemble singing" Evening Standard
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier:
Libettiste: Jonny Steinberg •
Metteur en scène: Mark Dornford-May •
Chorégraphe:
Avec: Noluthando Boqwana, Thobile Dyasi, Ayanda Eleki, Thandokazi Fumba, Zamile Gantana, Siphosethu Juta, Nontsusa Louw, Sifiso Lupuzi, Pauline Malefane, Phielo Makitle, Zanele Mbatha, Katlego Mmusi, Zoleka Mpotsha, Siyanda Ncobo, Cikizwa Ndamase, Busisiwe Ngejane, Sonwabo Ntshata, Luvo Rasemeni, Khanya Sakube, Sindiswa Sityata, Tshepo Skosana, Masakane Sotayisi, Luvo Tamba, Ayanda Tikolo
A collaboration with the Royal Opera House. (plus)
★★★★ “Isango Ensemble’s musical has marvellous songs and breathtaking acting” The Observer
★★★★ “A terrific slice of musical theatre - this fiercely topical show is a real treat” Mail on Sunday
★★★★ "Glorious, vibrant musical theatre that speaks to the biggest concern of our age" Financial Times
★★★★ “An extraordinary, magical piece of theatre – all politicians should go” The Times
★★★★ "Exhilarating and inspired - I urge everyone to see this show" The Guardian
★★★★ "Heartbreaking, with dynamic choreography and beautiful music" Time Out
★★★★ "A gorgeous score that bubbles with life - profoundly stirring" The Independent
★★★★ "Powerful and vivid, Asad's story unfolds in joyous ensemble singing" Evening Standard
Théâtre
Original
35) Emperor (The) (Original)
Joué durant 3 semaines
Première preview: 03 September 2016
Première: 03 September 2016
Dernière: 24 September 2016
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Walter Meierjohann •
Chorégraphe:
Avec: Kathryn Hunter, Temesgen Zeleke
Commentaire:
Presse: ★★★★ Witty and haunting production - Hunter is particularly powerful The Independent
★★★★ Kathryn Hunter - the evening belongs to her. It could very well be the stage performance of the year. The Sunday Times
★★★★ Kathryn Hunter's shape-shifting brilliance The Observer
★★★★ The Emperor is a study in love – it’s also incredibly moving. Time Out
★★★★ The astonishing shape-shifting Kathryn Hunter – in this shrewd and resonant account of Haile Selassie’s fall from grace. The Guardian
★★★★ Intriguing and unsettling - Hunter's presence is mesmeric Evening Standard
★★★★ A tour de force performance from Kathryn Hunter. The Financial Times
★★★★★ Colin Teevan’s perfect adaptation. Kathryn Hunter spellbinds. The triumph is shared by everybody involved. Arts Desk
★★★★ A great actor in action. Kathryn Hunter is one of the best. A richly absorbing hour. Whatsonstage
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Walter Meierjohann •
Chorégraphe:
Avec: Kathryn Hunter, Temesgen Zeleke
★★★★ Kathryn Hunter - the evening belongs to her. It could very well be the stage performance of the year. The Sunday Times
★★★★ Kathryn Hunter's shape-shifting brilliance The Observer
★★★★ The Emperor is a study in love – it’s also incredibly moving. Time Out
★★★★ The astonishing shape-shifting Kathryn Hunter – in this shrewd and resonant account of Haile Selassie’s fall from grace. The Guardian
★★★★ Intriguing and unsettling - Hunter's presence is mesmeric Evening Standard
★★★★ A tour de force performance from Kathryn Hunter. The Financial Times
★★★★★ Colin Teevan’s perfect adaptation. Kathryn Hunter spellbinds. The triumph is shared by everybody involved. Arts Desk
★★★★ A great actor in action. Kathryn Hunter is one of the best. A richly absorbing hour. Whatsonstage
Théâtre
Revival
34) Blue/Orange (Revival)
Joué durant 1 mois 1 semaine
Première preview: 29 July 2016
Première: 04 August 2016
Dernière: 10 June 2016
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Simon Stone •
Chorégraphe:
Avec:
Commentaire:
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Simon Stone •
Chorégraphe:
Avec:
Théâtre
Original
33) Yerma (Original)
Joué durant 1 mois 4 semaines
Première preview: 28 July 2016
Première: 28 July 2016
Dernière: 24 September 2016
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Simon Stone •
Chorégraphe:
Avec: Maureen Beattie, Brendan Cowell, John MacMillan, Billie Piper, Charlotte Randle
Commentaire: Sera repris en 2017 (plus)
Presse: ★★★★★ "An extraordinary theatrical triumph" The Times
★★★★★ "Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca" The Observer
★★★★★ “Stunning, searing, unmissable” Mail on Sunday
★★★★★ "A shatteringly powerful reinvention of a familiar classic" The Independent
★★★★★ "Harrowing and astonishingly funny - 100 electrifying minutes" The Sun
★★★★★ "Billie Piper is on raw, ferocious, spellbinding form" The Evening Standard
★★★★★ "Brutal yet ferociously funny" Metro
★★★★★ "Billie Piper is astonishing - everything about this production is on-point" iNews
★★★★ "Piper gives a devastatingly powerful performance" The Daily Telegraph
★★★★ "Wonderfully bold and sensitive writing and direction from Simon Stone” The Sunday Times
★★★★ “Piper gives a devastating portrayal of all-consuming female despair” Financial Times
★★★★ "Simon Stone's radical update of Lorca is astonishingly powerful" Time Out
★★★★ "A sharply witty, slangily modern updating – you can’t take your eyes off Billie Piper" The Daily Mail
★★★★ “Splendidly acted on Lizzie Clachan’s elegant minimalist set” Sunday Express Find out what audiences are saying about the show.
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Simon Stone •
Chorégraphe:
Avec: Maureen Beattie, Brendan Cowell, John MacMillan, Billie Piper, Charlotte Randle
★★★★★ "Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca" The Observer
★★★★★ “Stunning, searing, unmissable” Mail on Sunday
★★★★★ "A shatteringly powerful reinvention of a familiar classic" The Independent
★★★★★ "Harrowing and astonishingly funny - 100 electrifying minutes" The Sun
★★★★★ "Billie Piper is on raw, ferocious, spellbinding form" The Evening Standard
★★★★★ "Brutal yet ferociously funny" Metro
★★★★★ "Billie Piper is astonishing - everything about this production is on-point" iNews
★★★★ "Piper gives a devastatingly powerful performance" The Daily Telegraph
★★★★ "Wonderfully bold and sensitive writing and direction from Simon Stone” The Sunday Times
★★★★ “Piper gives a devastating portrayal of all-consuming female despair” Financial Times
★★★★ "Simon Stone's radical update of Lorca is astonishingly powerful" Time Out
★★★★ "A sharply witty, slangily modern updating – you can’t take your eyes off Billie Piper" The Daily Mail
★★★★ “Splendidly acted on Lizzie Clachan’s elegant minimalist set” Sunday Express Find out what audiences are saying about the show.
Théâtre
Original
32) Now We Are Here (Original)
Joué durant 1 semaine
Première preview: 20 July 2016
Première: 2016
Dernière: Inconnu
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ian Rickson •
Chorégraphe:
Avec: Gary Beadle, Manish Gandhi, Jonathan Livingstone, Golda Rosheuvel
Commentaire:
Presse: ★★★★ “This is seductive theatre, persuasive protest – the stories will haunt you” The Times
★★★★ “Ian Rickson directs this sensitive, compelling production which strips away everything but the bare minimum needed for these voices to be heard” The Independent
★★★★ “Simple but starkly affecting – anyone still in any doubt about theatre’s ability to tackle the pressing stories of the day should acquaint themselves sharpish with the Young Vic’s wholly admirable Horizons season” The Evening Standard
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ian Rickson •
Chorégraphe:
Avec: Gary Beadle, Manish Gandhi, Jonathan Livingstone, Golda Rosheuvel
★★★★ “Ian Rickson directs this sensitive, compelling production which strips away everything but the bare minimum needed for these voices to be heard” The Independent
★★★★ “Simple but starkly affecting – anyone still in any doubt about theatre’s ability to tackle the pressing stories of the day should acquaint themselves sharpish with the Young Vic’s wholly admirable Horizons season” The Evening Standard
Théâtre
31) Queens of Syria ()
Joué durant
Première preview: 05 July 2016
Première: 06 July 2016
Dernière: 09 July 2016
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Zoe Lafferty •
Chorégraphe:
Avec: Reem Alsayyah, Anwar Alsayyah, Waed Alsayyah, Maha Alyousef, Rash Tamr, Fatema Aodah, Duana Abdel Qader, Kaoula Al Fahsi, Sham, Rahme, Mais, Fatin Al Jasem, Reham Alhakim
Commentaire: Winner of the George Devine Award for Most Promising Playwright and the Alfred Fagon Award for Best New Play.
Cuttin' It is part of the A Nation's Theatre Festival taking place between April - May 2016. (plus)
Presse: ★★★★★ "A raw reminder of our common humanity, hitting an extraordinary pitch of intensity" The Times
★★★★ "A terribly moving show for theatregoers but, most importantly, for members of the human race" The Evening Standard
★★★★ "An eloquent re-working of an ancient text - intense, compelling and humbling" The Independent
★★★★ "It’s a piece full of pain and longing —but there is icy, humbling rage here too" Financial Times
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Zoe Lafferty •
Chorégraphe:
Avec: Reem Alsayyah, Anwar Alsayyah, Waed Alsayyah, Maha Alyousef, Rash Tamr, Fatema Aodah, Duana Abdel Qader, Kaoula Al Fahsi, Sham, Rahme, Mais, Fatin Al Jasem, Reham Alhakim
Cuttin' It is part of the A Nation's Theatre Festival taking place between April - May 2016. (plus)
★★★★ "A terribly moving show for theatregoers but, most importantly, for members of the human race" The Evening Standard
★★★★ "An eloquent re-working of an ancient text - intense, compelling and humbling" The Independent
★★★★ "It’s a piece full of pain and longing —but there is icy, humbling rage here too" Financial Times
Théâtre
Revival
30) Cuttin' It (Revival)
Joué durant 3 semaines
Première preview: 20 May 2016
Première: 20 May 2016
Dernière: 11 June 2016
Salle: The Maria (160 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Gbolahan Obisesan •
Chorégraphe:
Avec:
Commentaire: Winner of the George Devine Award for Most Promising Playwright and the Alfred Fagon Award for Best New Play. (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Gbolahan Obisesan •
Chorégraphe:
Avec:
Théâtre
Revival
29) Blue/Orange (Revival)
Joué durant 1 mois
Première preview: 12 May 2016
Première: 19 May 2016
Dernière: 18 June 2016
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Matthew Xia •
Chorégraphe:
Avec:
Commentaire:
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Matthew Xia •
Chorégraphe:
Avec:
Théâtre
Revival
28) If You Kiss Me, Kiss Me (Revival)
Joué durant 1 mois
Première preview: 10 March 2016
Première: 16 March 2016
Dernière: 16 April 2016
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Aletta Collins •
Chorégraphe:
Avec: Jane Horrocks
Commentaire:
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Aletta Collins •
Chorégraphe:
Avec: Jane Horrocks
Théâtre
Revival
27) A Girl is a Half-formed Thing (Revival)
Joué durant 1 mois
Première preview: 17 February 2016
Première: 19 February 2016
Dernière: 26 March 2016
Salle: The Maria (160 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Clare Lizzimore •
Chorégraphe:
Avec: Aoife Duffin
Commentaire: The Corn Exchange and Young Vic in association with Cusack Projects Limited (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Clare Lizzimore •
Chorégraphe:
Avec: Aoife Duffin
Théâtre
26) Battlefield ()
Joué durant 3 semaines
Première preview: 03 February 2016
Première: 05 February 2016
Dernière: 27 February 2016
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Peter Brook • Marie-Helene Estienne •
Chorégraphe:
Avec: Carole Karemera, Jared McNeill, Ery Nzaramba, Sean O’Callaghan
Commentaire: C.I.C.T. / Theatre des Bouffes du Nord production Co-produced by Young Vic Theatre, C.I.R.T., Singapore Repertory Theater, Les Theatres de la ville de Luxembourg, New National Theatre, Tokyo - Play House (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Peter Brook • Marie-Helene Estienne •
Chorégraphe:
Avec: Carole Karemera, Jared McNeill, Ery Nzaramba, Sean O’Callaghan
Théâtre
Revival
25) Bull (Revival)
Joué durant 1 mois
Première preview: 11 December 2015
Première: 15 December 2015
Dernière: 16 January 2016
Salle: The Maria (160 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Clare Lizzimore •
Chorégraphe:
Avec: Max Bennett (Tony), Susannah Fielding (Isobel), Nigel Lindsay (Carter), Marc Wootton (Thomas)
Commentaire: Following a sold-out run and an Olivier Award, Clare Lizzimore’s riveting production of Mike Bartlett’s exhilarating play returns for a limited run. (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Clare Lizzimore •
Chorégraphe:
Avec: Max Bennett (Tony), Susannah Fielding (Isobel), Nigel Lindsay (Carter), Marc Wootton (Thomas)
Théâtre
Revival
24) Macbeth (Revival)
Joué durant 1 mois 3 semaines
Première preview: 26 November 2015
Première: 03 December 2015
Dernière: 23 January 2016
Salle: Main Stage (550 places)
Compositeur:
Parolier:
Libettiste: William Shakespeare •
Metteur en scène: Carrie Cracknell • Lucy Guerin •
Chorégraphe:
Avec: John Heffernan (Macbeth), Anna Maxwell Martin (Lady Macbeth) Mark Ebulue, Thomasin Gulgeç, Ira Siobhan Mandela, Ana Beatriz Meireles, Prasanna Puwanarajah and Clemmie Sveaas.
Commentaire: A Young Vic, Birmingham Repertory Theatre and HOME co-production (plus)
Presse:
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier:
Libettiste: William Shakespeare •
Metteur en scène: Carrie Cracknell • Lucy Guerin •
Chorégraphe:
Avec: John Heffernan (Macbeth), Anna Maxwell Martin (Lady Macbeth) Mark Ebulue, Thomasin Gulgeç, Ira Siobhan Mandela, Ana Beatriz Meireles, Prasanna Puwanarajah and Clemmie Sveaas.
Théâtre
23) Barbarians ()
Joué durant 2 semaines
Première preview: 27 November 2015
Première: 02 December 2015
Dernière: 19 December 2015
Salle: The Clare (80 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Liz Stevenson •
Chorégraphe:
Avec: Fisayo Akinade, Alex Austin, Brian Vernel
Commentaire:
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Liz Stevenson •
Chorégraphe:
Avec: Fisayo Akinade, Alex Austin, Brian Vernel
Théâtre
Revival
22) Measure for Measure (Revival)
Joué durant 1 mois 2 semaines
Première preview: 01 October 2015
Première: 01 October 2015
Dernière: 14 November 2015
Salle: Main Stage (550 places)
Compositeur:
Parolier:
Libettiste: William Shakespeare •
Metteur en scène: Joe Hill-Gibbins •
Chorégraphe:
Avec: Hammed Animashaun, Tom Edden, Romola Garai, Ivanno Jeremiah, John Mackay, Sarah Malin, Paul Ready, Natalie Simpson, Raphael Sowole, Zubin Varla, Cath Whitefield, Matthew Wynn
Commentaire:
Presse: ★★★★ “There are no half measures in Joe Hill-Gibbins’ radical version… an astonishing Romola Garai” The Guardian
★★★★ “The most scabrously funny take I've seen on Shakespeare's profound comedy... Romola Garai in wonderfully impassioned form" Independent
★★★★ "Joe Hill-Gibbins is the perfect director to tackle Measure for Measure… side-splittingly funny… Romola Garai shines” Time Out
★★★★ “A bold, wildly unorthodox staging with an audacious aesthetic” Financial Times
★★★★ “Joe Hill-Gibbins is a madcap arch provocateur” Sunday Times
★★★★ “A fast and furious staging – elusive, slippery and unshiftingly dark” The Observer
★★★★ “Electrifying… riveting theatre” Metro
★★★★ "Designer Miriam Buether creates… a brilliant visual metaphor” What's On Stage
★★★★ "A radical Young Vic production” The Arts Desk
"Director Joe Hill-Gibbins offers a bold, anarchic take. Fresh, strange and irreverent." Evening Standard
"A characteristically take-no-prisoners production from a directorial iconoclast" New York Times
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier:
Libettiste: William Shakespeare •
Metteur en scène: Joe Hill-Gibbins •
Chorégraphe:
Avec: Hammed Animashaun, Tom Edden, Romola Garai, Ivanno Jeremiah, John Mackay, Sarah Malin, Paul Ready, Natalie Simpson, Raphael Sowole, Zubin Varla, Cath Whitefield, Matthew Wynn
★★★★ “The most scabrously funny take I've seen on Shakespeare's profound comedy... Romola Garai in wonderfully impassioned form" Independent
★★★★ "Joe Hill-Gibbins is the perfect director to tackle Measure for Measure… side-splittingly funny… Romola Garai shines” Time Out
★★★★ “A bold, wildly unorthodox staging with an audacious aesthetic” Financial Times
★★★★ “Joe Hill-Gibbins is a madcap arch provocateur” Sunday Times
★★★★ “A fast and furious staging – elusive, slippery and unshiftingly dark” The Observer
★★★★ “Electrifying… riveting theatre” Metro
★★★★ "Designer Miriam Buether creates… a brilliant visual metaphor” What's On Stage
★★★★ "A radical Young Vic production” The Arts Desk
"Director Joe Hill-Gibbins offers a bold, anarchic take. Fresh, strange and irreverent." Evening Standard
"A characteristically take-no-prisoners production from a directorial iconoclast" New York Times
Théâtre
21) Golem ()
Joué durant 1 mois
Première preview: 09 December 2014
Première: 12 December 2014
Dernière: 12 January 2015
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Suzanne Andrade •
Chorégraphe:
Avec:
Commentaire:
Presse: ★ ★ ★ ★
”Jaw-droppingly clever and gloriously subversive”
The Guardian on The Animals and Children took to the Streets
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Suzanne Andrade •
Chorégraphe:
Avec:
”Jaw-droppingly clever and gloriously subversive”
The Guardian on The Animals and Children took to the Streets
Théâtre
Revival
20) Cerisaie (La) (Revival)
Joué durant 1 mois 2 semaines
Première preview: 10 October 2014
Première: 16 October 2014
Dernière: 29 November 2014
Salle: Main Stage (550 places)
Compositeur:
Parolier:
Libettiste: Anton Chekhov •
Metteur en scène: Katie Mitchell •
Chorégraphe:
Avec:
Commentaire: Trailblazing director Katie Mitchell returns to the Young Vic with her signature lyricism to direct Anton Chekhov’s last and greatest play The Cherry Orchard.
Vigorous and profound, this new version by Olivier Award winner Simon Stephens (A Doll’s House, The Curious Incident of the Dog in the Night-time), is an anguished and heartbreaking love letter to a society in violent transition. (plus)
Presse:
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier:
Libettiste: Anton Chekhov •
Metteur en scène: Katie Mitchell •
Chorégraphe:
Avec:
Vigorous and profound, this new version by Olivier Award winner Simon Stephens (A Doll’s House, The Curious Incident of the Dog in the Night-time), is an anguished and heartbreaking love letter to a society in violent transition. (plus)
Théâtre
19) Valley of Astonishment (The) ()
Joué durant 2 semaines
Première preview: 20 June 2014
Première: 23 June 2014
Dernière: 12 July 2014
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Peter Brook •
Chorégraphe:
Avec: Kathryn Hunter, Marcello Magni, William Nadylam, Jared McNeill
Commentaire:
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Peter Brook •
Chorégraphe:
Avec: Kathryn Hunter, Marcello Magni, William Nadylam, Jared McNeill
Théâtre
18) A View from the Bridge ()
Joué durant 1 mois 1 semaine
Première preview: 04 April 2014
Première: 11 April 2014
Dernière: 24 May 2014
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ivo van Hove •
Chorégraphe:
Avec:
Commentaire:
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ivo van Hove •
Chorégraphe:
Avec:
Théâtre
Revival
17) Oh les beaux jours (Revival)
Joué durant 3 semaines
Première preview: 23 January 2014
Première: 30 January 2014
Dernière: 22 February 2014
Salle: Main Stage (550 places)
Compositeur:
Parolier:
Libettiste: Samuel Beckett •
Metteur en scène: Natalie Abrahami •
Chorégraphe:
Avec: Juliet Stevenson (Winnie), David Beames (Willie)
Commentaire:
Presse:
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier:
Libettiste: Samuel Beckett •
Metteur en scène: Natalie Abrahami •
Chorégraphe:
Avec: Juliet Stevenson (Winnie), David Beames (Willie)
Théâtre
Original London
16) Beauty and the Beast (The) (Mat Fraser) (Original London)
Joué durant 1 semaine
Première preview: 04 December 2013
Première: 09 December 2013
Dernière: 21 December 2013
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Philem McDermott •
Chorégraphe:
Avec: Mat Fraser, Julie Atlas Muz, Jonny Dixon, Jess Mabel Jones
Commentaire:
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Philem McDermott •
Chorégraphe:
Avec: Mat Fraser, Julie Atlas Muz, Jonny Dixon, Jess Mabel Jones
Théâtre
15) Island (The) ()
Joué durant 2 semaines
Première preview: 07 November 2013
Première: 12 November 2013
Dernière: 30 November 2013
Salle: The Clare (80 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Alex Brown •
Chorégraphe:
Avec:
Commentaire: Alex Brown, winner of the JMK Award 2013: James Menzies-Kitchin was a theatre director of thrilling promise. The JMK Trust was founded in his memory to give practical learning opportunities to young theatre directors of similar ability and vision. The JMK Award allows one such director a year to stage their own production of a classic text.
The JMK Award is kindly supported by Philip Hooker, the Leverhulme Trust Arts Scholarships, the Martin Bowley Charitable Trust and all its individual donors. (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Alex Brown •
Chorégraphe:
Avec:
The JMK Award is kindly supported by Philip Hooker, the Leverhulme Trust Arts Scholarships, the Martin Bowley Charitable Trust and all its individual donors. (plus)
Musical
Original Europe
14) Scottsboro Boys (The) (Original Europe)
Joué durant 1 mois 3 semaines
Première preview: 18 October 2013
Première: 29 October 2013
Dernière: 23 December 2013
Salle: Main Stage (550 places)
Compositeur: John Kander •
Parolier: Fred Ebb •
Libettiste: David Thompson •
Metteur en scène: Susan Stroman •
Chorégraphe: Susan Stroman •
Avec: Colman Domingo (Mr. Bones), Forrest McClendon (Mr. Tambo), Christian Dante-White (Charles Weems), Clinton Roane (Roy Wright), Julian Glover (The Interlocutor), Dawn Hope (The Lady), Adebayo Bolaji (Clarence Norris), Carl Spencer (Andy Wright) , Martin Bishop, Susan Reynolds, Jordan Shaw
Commentaire: Au départ jusqu'au 23 novembre. Vu le succès, prolongé jusqu'au 21 décembre. (plus)
Presse: "The production knocked me for six. I couldn’t speak as I sat in my seat, weeping, furious at the injustices those nine young boys had endured. One of the most stunning pieces of theatre I have ever seen"
Baz Bamigboye, Daily Mail (22/2/13)
"A thrillingly inventive and entertaining night at the theatre. You'll laugh, you'll cry, you'll be moved... Kander and Ebb have given American musical theatre an undisputable, stone-cold classic"
New York Post
"The best new musical of the year. Stunning! Grade A"
Entertainment Weekly
"Adventurous & dynamic. Directed and choreographed with dazzling verve by Susan Stroman, who offers some of her most vibrant work since The Producers"
New York Times
"Smashing and shocking! Kander & Ebb's valedictory musical. The story is wrenching and the songs rank with their most gorgeous"
Bloomberg
"Provocative, chilling and refreshing. This one is right up there with Cabaret and Chicago. Susan Stroman deliverys her most creative and effective work in years"
Variety
"Dazzling, chilling and arresting. This bold musical keeps you tapping your feet while it socks you with an emotional punch to the gut"
Hollywood Reporter
"Pioneering. Susan Stroman's staging is mesmerizing"
Los Angeles Times
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier: Fred Ebb •
Libettiste: David Thompson •
Metteur en scène: Susan Stroman •
Chorégraphe: Susan Stroman •
Avec: Colman Domingo (Mr. Bones), Forrest McClendon (Mr. Tambo), Christian Dante-White (Charles Weems), Clinton Roane (Roy Wright), Julian Glover (The Interlocutor), Dawn Hope (The Lady), Adebayo Bolaji (Clarence Norris), Carl Spencer (Andy Wright) , Martin Bishop, Susan Reynolds, Jordan Shaw
Baz Bamigboye, Daily Mail (22/2/13)
"A thrillingly inventive and entertaining night at the theatre. You'll laugh, you'll cry, you'll be moved... Kander and Ebb have given American musical theatre an undisputable, stone-cold classic"
New York Post
"The best new musical of the year. Stunning! Grade A"
Entertainment Weekly
"Adventurous & dynamic. Directed and choreographed with dazzling verve by Susan Stroman, who offers some of her most vibrant work since The Producers"
New York Times
"Smashing and shocking! Kander & Ebb's valedictory musical. The story is wrenching and the songs rank with their most gorgeous"
Bloomberg
"Provocative, chilling and refreshing. This one is right up there with Cabaret and Chicago. Susan Stroman deliverys her most creative and effective work in years"
Variety
"Dazzling, chilling and arresting. This bold musical keeps you tapping your feet while it socks you with an emotional punch to the gut"
Hollywood Reporter
"Pioneering. Susan Stroman's staging is mesmerizing"
Los Angeles Times
Théâtre
Reprise
13) Events (The) (Reprise)
Joué durant 3 semaines
Première preview: 09 October 2013
Première: 09 October 2013
Dernière: 02 November 2013
Salle: The Maria (160 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ramin Gray •
Chorégraphe:
Avec: Rudi Dharmalingam, Neve McIntosh
Commentaire:
Presse: ★ ★ ★ ★ ★
"Witty, wise and provocative"
Daily Telegraph
★ ★ ★ ★ ★
"A poignant look at human tragedy"
The Metro
★ ★ ★ ★
"A mighty play about what it is that makes us human..."
The Guardian
★ ★ ★ ★
"Impressive, evocative, superb"
The Independent
★ ★ ★ ★
The Times, The Scotsman, Time Out, Financial Times
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ramin Gray •
Chorégraphe:
Avec: Rudi Dharmalingam, Neve McIntosh
"Witty, wise and provocative"
Daily Telegraph
★ ★ ★ ★ ★
"A poignant look at human tragedy"
The Metro
★ ★ ★ ★
"A mighty play about what it is that makes us human..."
The Guardian
★ ★ ★ ★
"Impressive, evocative, superb"
The Independent
★ ★ ★ ★
The Times, The Scotsman, Time Out, Financial Times
Théâtre
Revival
12) Changeling (The) (Revival)
Joué durant 3 semaines
Première preview: 20 November 2012
Première: 26 November 2012
Dernière: 22 December 2012
Salle: The Maria (160 places)
Compositeur:
Parolier:
Libettiste:
Metteur en scène: Joe Hill-Gibbins •
Chorégraphe: Aucun •
Avec: Sinead Matthews (Beatrice-Joanna) , Harry Hadden-Paton (Alsemero), Zubin Varla (De Flores), Alex Beckett (Lollio / Jasperino), Nick Lee (Antonio / Tomazo), Alex Lowe (Alibius / Alonzo), Eleanor Matsuura (Isabella / Diaphanta), Howard Ward (Vermandero)
Commentaire:
Presse: "A perturbing, often blackly funny evening that serves the play’s lewdness and lunacy with unfettered, fast-moving glee."
Dominic Cavendish for The Daily Telegraph
"Over-exuberant production."
Quentin Letts for Daily Mail
"Incredibly impressive."
Natasha Tripney for The Stage
"A lively production."
Michael Billington for Guardian
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier:
Libettiste:
Metteur en scène: Joe Hill-Gibbins •
Chorégraphe: Aucun •
Avec: Sinead Matthews (Beatrice-Joanna) , Harry Hadden-Paton (Alsemero), Zubin Varla (De Flores), Alex Beckett (Lollio / Jasperino), Nick Lee (Antonio / Tomazo), Alex Lowe (Alibius / Alonzo), Eleanor Matsuura (Isabella / Diaphanta), Howard Ward (Vermandero)
Dominic Cavendish for The Daily Telegraph
"Over-exuberant production."
Quentin Letts for Daily Mail
"Incredibly impressive."
Natasha Tripney for The Stage
"A lively production."
Michael Billington for Guardian
Théâtre
Revival
11) Changeling (The) (Revival)
Joué durant 3 semaines
Première preview: 26 January 2012
Première: 02 February 2012
Dernière: 25 February 2012
Salle: The Maria (160 places)
Compositeur:
Parolier:
Libettiste:
Metteur en scène: Joe Hill-Gibbins •
Chorégraphe: Aucun •
Avec: Sinead Matthews (Beatrice-Joanna) , Harry Hadden-Paton (Alsemero), Zubin Varla (De Flores), Alex Beckett (Lollio / Jasperino), Nick Lee (Antonio / Tomazo), Alex Lowe (Alibius / Alonzo), Eleanor Matsuura (Isabella / Diaphanta), Howard Ward (Vermandero).
Commentaire:
Presse: "A perturbing, often blackly funny evening that serves the play’s lewdness and lunacy with unfettered, fast-moving glee."
Dominic Cavendish for The Daily Telegraph
"Over-exuberant production."
Quentin Letts for Daily Mail
"Incredibly impressive."
Natasha Tripney for The Stage
"A lively production."
Michael Billington for Guardian
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier:
Libettiste:
Metteur en scène: Joe Hill-Gibbins •
Chorégraphe: Aucun •
Avec: Sinead Matthews (Beatrice-Joanna) , Harry Hadden-Paton (Alsemero), Zubin Varla (De Flores), Alex Beckett (Lollio / Jasperino), Nick Lee (Antonio / Tomazo), Alex Lowe (Alibius / Alonzo), Eleanor Matsuura (Isabella / Diaphanta), Howard Ward (Vermandero).
Dominic Cavendish for The Daily Telegraph
"Over-exuberant production."
Quentin Letts for Daily Mail
"Incredibly impressive."
Natasha Tripney for The Stage
"A lively production."
Michael Billington for Guardian
Musical
Revival
10) Street Scene (Revival)
Joué durant 1 semaine
Première preview: 15 September 2011
Première: 20 September 2011
Dernière: 01 October 2011
Salle: Main Stage (550 places)
Compositeur: Kurt Weill •
Parolier: Langston Hughes •
Libettiste: Elmer Rice •
Metteur en scène: Dave Fulljames •
Chorégraphe: Arthur Pita •
Avec: Elena Ferrari (Anna), Geoffrey Dolton (Frank), Susanna Hurrell (Rose), James McOran-Campbell (Harry Easter), Paul Curievici (Sam Kaplan), Charlotte Page (Emma Jones), Harriet Williams (Mrs Olsen), Kate Nelson (Mae), John Moabi (Dick McGann). (The 20-strong cast did considerable doubling)
Commentaire: This was a revival of th Young Vic’s 2008 production, enlarged as a community venture with a small army of child performers, a large amateur chorus and the BBC Concert Orchestra. Several of the original cast re-created their roles in
this revival. For the subsequent tour the orchestra was replaced with the Southbank Sinfonia Touring. (plus)
Presse: ‘An extraordinary musical.'
Evening Standard
‘A show of such passion and power… a show that deserves to be seen.'
The Guardian
'If you want to see a theatre at maximum throttle, head to the Young Vic.'
The Daily Telegraph
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier: Langston Hughes •
Libettiste: Elmer Rice •
Metteur en scène: Dave Fulljames •
Chorégraphe: Arthur Pita •
Avec: Elena Ferrari (Anna), Geoffrey Dolton (Frank), Susanna Hurrell (Rose), James McOran-Campbell (Harry Easter), Paul Curievici (Sam Kaplan), Charlotte Page (Emma Jones), Harriet Williams (Mrs Olsen), Kate Nelson (Mae), John Moabi (Dick McGann). (The 20-strong cast did considerable doubling)
this revival. For the subsequent tour the orchestra was replaced with the Southbank Sinfonia Touring. (plus)
Evening Standard
‘A show of such passion and power… a show that deserves to be seen.'
The Guardian
'If you want to see a theatre at maximum throttle, head to the Young Vic.'
The Daily Telegraph
Musical
Original London
9) Human Comedy (The) (Original London)
Joué durant
Première preview: 13 September 2010
Première: 13 September 2010
Dernière: 18 September 2010
Salle: Main Stage (550 places)
Compositeur: Galt MacDermot •
Parolier: William Dumaresq •
Libettiste: William Dumaresq •
Metteur en scène: John Fulljames •
Chorégraphe:
Avec: Joe Slovick (Homer), Helen Hobson (Kate), Tom Robertson (Marcus), Kate Marlais (Bess), Jordi Fray/Theo Stevenson (Ulysses), Jo Servi (Spangler), Tony Stansfield (Grogan), Brenda Edwards (Diana), Terel Nugent (Toby), Sarah Harlington (Mary), Tomm Coles, Chris Storr
Commentaire: This London premiere used a cast of 20 professionals and an amateur chorus of around 80 people drawn from the local community. It received a great deal of praise. (plus)
Presse: ★ ★ ★ ★ 'Extraordinarily moving... the powerful singing of the chorus sends shivers racing down the spine.' The Daily Telegraph
★ ★ ★ ★ 'This show demands love.' The Times
★ ★ ★ ★ 'Joyous' The Independent
'Thrilling... Fulljames's staging is exemplary' The Guardian
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier: William Dumaresq •
Libettiste: William Dumaresq •
Metteur en scène: John Fulljames •
Chorégraphe:
Avec: Joe Slovick (Homer), Helen Hobson (Kate), Tom Robertson (Marcus), Kate Marlais (Bess), Jordi Fray/Theo Stevenson (Ulysses), Jo Servi (Spangler), Tony Stansfield (Grogan), Brenda Edwards (Diana), Terel Nugent (Toby), Sarah Harlington (Mary), Tomm Coles, Chris Storr
★ ★ ★ ★ 'This show demands love.' The Times
★ ★ ★ ★ 'Joyous' The Independent
'Thrilling... Fulljames's staging is exemplary' The Guardian
Musical
Revival
8) Annie get your gun (Revival)
Joué durant 2 mois 2 semaines
Première preview: 03 October 2009
Première: 16 October 2009
Dernière: 02 January 2010
Salle: The Maria (160 places)
Compositeur: Irving Berlin •
Parolier: Irving Berlin •
Libettiste: Dorothy Fields • Herbert Fields •
Metteur en scène: Richard Jones •
Chorégraphe: Phillipe Giradeau •
Avec: Jane Horrocks ( Annie Oakley ), Julian Ovenden ( Frank Butler ), Chucky Venn (Buffalo Bill), John Marquez, Liza Sadovy, Buffy Davis, Niall Ashdown, Eric MacLennan
Commentaire: This production was very controversial. It had been updated to the 1940s, with film sequences of Annie getting medals from Churchill, Hitler and Stalin; it had been re-scored for four upright pianos; the “I’m an Indian Too” number had been cut; and the design included a kind of conveyor-belt, moving model water-towers, cactus plants and telegraph poles along (“like the one used for prizes in The Generation Game”). For some, Richard Jones’s production was brilliant, witty, startlingly revisionist and exciting. For others, “Jones is a theatrical show-off who feels the need to put his own personal and often malodorous mark on everything he directs, like a dog urinating on lampposts” (D. Telegraph). “Critics, get your blunderbuss” was the majority view of the direction, though everyone thought Julian Ovenden was the best-ever Frank Butler, most people loved Jane Horrocks’s Annie, and everyone recognised the succession of hit- songs as one of the great all-time Broadway scores. (plus)
Presse:
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier: Irving Berlin •
Libettiste: Dorothy Fields • Herbert Fields •
Metteur en scène: Richard Jones •
Chorégraphe: Phillipe Giradeau •
Avec: Jane Horrocks ( Annie Oakley ), Julian Ovenden ( Frank Butler ), Chucky Venn (Buffalo Bill), John Marquez, Liza Sadovy, Buffy Davis, Niall Ashdown, Eric MacLennan
Musical
Original
7) Been so long (Original)
Joué durant 4 semaines
Première preview: 11 June 2009
Première: 17 June 2009
Dernière: 15 July 2009
Salle: Main Stage (550 places)
Compositeur: Arthur Darvill •
Parolier: Arthur Darvill • Che Walker •
Libettiste: Che Walker •
Metteur en scène: Che Walker •
Chorégraphe: Bonnie Oddie •
Avec: Omar Lyefook (Barney), Harry Hepple (Gil), Arinze Kene (Raymond), Cat Simmons (Simone), Naana Agyei-Ampadu (Yvonne)
Commentaire: Following disastrous notices, it opened and closed on the same night (after ten previews). (plus)
Presse: 'Ecstatic...this soars like the Saturday night of your dreams...hard-wired with street wit and sexual energy.' Metro
‘Enormously entertaining, full-bodied and sexy. An elating sprint through the booze-sodden pleasures of London nightlife.’ FOUR STARS Sunday Times
'A serenade in soul music, teeming with talent, boozy yearnings and great riffs on love and friendship.' Time Out
'Hip and humorous: a boisterous hit.' Independent on Sunday
'An x-ray of London life that looks great and rings true. Here's an evening in which women get a real shout. The talent on stage is tremendous.' Observer
'Ragged and rude, bursting with raw and refreshing new talent. Bring it on!' Mail on Sunday
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier: Arthur Darvill • Che Walker •
Libettiste: Che Walker •
Metteur en scène: Che Walker •
Chorégraphe: Bonnie Oddie •
Avec: Omar Lyefook (Barney), Harry Hepple (Gil), Arinze Kene (Raymond), Cat Simmons (Simone), Naana Agyei-Ampadu (Yvonne)
‘Enormously entertaining, full-bodied and sexy. An elating sprint through the booze-sodden pleasures of London nightlife.’ FOUR STARS Sunday Times
'A serenade in soul music, teeming with talent, boozy yearnings and great riffs on love and friendship.' Time Out
'Hip and humorous: a boisterous hit.' Independent on Sunday
'An x-ray of London life that looks great and rings true. Here's an evening in which women get a real shout. The talent on stage is tremendous.' Observer
'Ragged and rude, bursting with raw and refreshing new talent. Bring it on!' Mail on Sunday
Musical
Revival
6) Street Scene (Revival)
Joué durant
Première preview: 17 July 2008
Première: 17 July 2008
Dernière: 22 July 2008
Salle: Main Stage (550 places)
Compositeur: Kurt Weill •
Parolier: Langston Hughes •
Libettiste: Elmer Rice •
Metteur en scène: Dave Fulljames •
Chorégraphe: Arthur Pita •
Avec: Cast: Elena Ferrari (Anna), Andrew Slater (Frank), Ruby Hughes (Rose), Simon Lobelson (Harry Easter), Adrian Dwyer (Sam Kaplan),
Charlotte Page (Emma Jones), Harriet Williams (Mrs Olsen), Kate Nelson (Mae), John Moabi (Dick McGann). (The 16 strong cast did considerable doubling)
Commentaire: This first revival was greeted more enthusiastically than the ENO production - possibly the passing of twenty years and the development of more serious and challenging musicals in the intervening period made it easier to accept that Kurt Weill was writing ahead of his time. (plus)
Presse:
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier: Langston Hughes •
Libettiste: Elmer Rice •
Metteur en scène: Dave Fulljames •
Chorégraphe: Arthur Pita •
Avec: Cast: Elena Ferrari (Anna), Andrew Slater (Frank), Ruby Hughes (Rose), Simon Lobelson (Harry Easter), Adrian Dwyer (Sam Kaplan),
Charlotte Page (Emma Jones), Harriet Williams (Mrs Olsen), Kate Nelson (Mae), John Moabi (Dick McGann). (The 16 strong cast did considerable doubling)
Musical
Revival
5) Simply Heavenly (Revival)
Joué durant 1 mois
Première preview: 07 March 2003
Première: 17 March 2003
Dernière: 19 April 2003
Salle: Main Stage (550 places)
Compositeur: Margaret Martin •
Parolier: Langston Hughes •
Libettiste: Langston Hughes •
Metteur en scène: Josette Bushell-Mingo •
Chorégraphe: Paul J Medford •
Avec: Ruby Turner (Miss Mamie), Nicola Hughes (Zarita), Rhashon Stone (Simple), Cat Simmons (Joyce Lane), Clive Rowe (Melon), Kenie Andrews, Des Coleman, Carlton Headley, Paul Kissaun, Jason Pennycooke
Commentaire: The basic story - will Jesse Simple succeed in raising the dosh for a divorce from his ex-wife so he can marry the loyal and loving Joyce - or will he be tempted from the straight and narrow by the vamping barmaid Zarita? - was considered just as weak as when the show was first produced in London 45 years earlier. Once again, it was the choreography and sheer energy of the performers that made it work. (plus)
Presse:
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier: Langston Hughes •
Libettiste: Langston Hughes •
Metteur en scène: Josette Bushell-Mingo •
Chorégraphe: Paul J Medford •
Avec: Ruby Turner (Miss Mamie), Nicola Hughes (Zarita), Rhashon Stone (Simple), Cat Simmons (Joyce Lane), Clive Rowe (Melon), Kenie Andrews, Des Coleman, Carlton Headley, Paul Kissaun, Jason Pennycooke
Musical
Original
4) Swan Esther (Original)
Joué durant
Première preview: Inconnu
Première: 17 December 1983
Dernière: Inconnu
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Frank Dunlop •
Chorégraphe: Jeff Thacker •
Avec: Amanda Redman (Esther), Sam Kelly (Mordecai’), Stephen Lewis (Prime Minister of Persia), James Coombes (King of Persia), David Henry, Christine Nagy, Susan Kyd, Simon Howe
Commentaire: This was clearly an attempt to create another “Joseph” - a show with a large children’s chorus suitable for schools and youth productions. However, something went wrong at the last minute and licences for the children were refused, accordingly the show went ahead with adults only. In 1985 a new and revised version called “Swan Esther and the King” was created and toured under the management of Bill Kenwright. (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Frank Dunlop •
Chorégraphe: Jeff Thacker •
Avec: Amanda Redman (Esther), Sam Kelly (Mordecai’), Stephen Lewis (Prime Minister of Persia), James Coombes (King of Persia), David Henry, Christine Nagy, Susan Kyd, Simon Howe
Musical
Revival
3) Godspell (Revival)
Joué durant 2 semaines
Première preview: 22 June 1981
Première: 22 June 1981
Dernière: 11 July 1981
Salle: Main Stage (550 places)
Compositeur: Stephen Schwartz •
Parolier: Stephen Schwartz •
Libettiste:
Metteur en scène:
Chorégraphe:
Avec:
Commentaire:
Presse:
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier: Stephen Schwartz •
Libettiste:
Metteur en scène:
Chorégraphe:
Avec:
Musical
Original
2) Faust - The Musical (Original)
Joué durant
Première preview: Inconnu
Première: 04 July 1979
Dernière: Inconnu
Salle: Main Stage (550 places)
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Michael Bogdanov •
Chorégraphe:
Avec: Micky O’Donoghue/ Ian Taylor/ Bill Wallis/ Bev Willis (Faust), Tina Jones (Margaret), James Carter {Mephistopheles), Kate Versey, Laura Cox, John Darrell
Commentaire: Four different actors played Faust at various times in his life, and some of the cast were played by oversized puppets. It was a political-morality-rock musical (plus)
Presse:
Plus d'infos sur cette production:
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Michael Bogdanov •
Chorégraphe:
Avec: Micky O’Donoghue/ Ian Taylor/ Bill Wallis/ Bev Willis (Faust), Tina Jones (Margaret), James Carter {Mephistopheles), Kate Versey, Laura Cox, John Darrell
Musical
Revival
1) Joseph and the Amazing Technicolor Dreamcoat (Revival)
Joué durant 1 semaine
Nb de représentations: 16 représentations
Première preview: Inconnu
Première: 16 October 1972
Dernière: 28 October 1972
Salle: Main Stage (550 places)
Compositeur: Andrew Lloyd Webber •
Parolier: Tim Rice •
Libettiste:
Metteur en scène: Frank Dunlop •
Chorégraphe: ???? ???? •
Avec: Joseph ... Gary Bond / Jacob ... Alex McAvoy / Narrator ... Peter Reeves / Mrs. Potiphar ... Joan Heal / Potiphar ... Gavin Reed / Butler ... Andrew Robertson / Mrs. Jacob ... Julia McCarthy / Brother ... Paul Brooke, Ian Charleson, Jeremy James-Taylor
Commentaire:
Presse:
Plus d'infos sur cette production:
Plus d'infos sur ce musical
Parolier: Tim Rice •
Libettiste:
Metteur en scène: Frank Dunlop •
Chorégraphe: ???? ???? •
Avec: Joseph ... Gary Bond / Jacob ... Alex McAvoy / Narrator ... Peter Reeves / Mrs. Potiphar ... Joan Heal / Potiphar ... Gavin Reed / Butler ... Andrew Robertson / Mrs. Jacob ... Julia McCarthy / Brother ... Paul Brooke, Ian Charleson, Jeremy James-Taylor